At times, The Souls of Black Folk aspires to a kind of poetry. Free, free as the sunshine trickling down the morning into these high windows of mine, free as yonder fresh young voices welling up to me from the caverns of brick and mortar below — swelling with song, instinct with life, tremulous treble and darkening bass. To order a copy go to bookshop. Society books Civil rights movement Race Frederick Douglass features. Reuse this content. Order by newest oldest recommendations.
Show 25 25 50 All. Or space suit. All of it, appears to me anyway, is a kind of digital gnosis. A Consciousness-environment-culture dialectic that feeds back on itself and allows more people to hop in the water, and what was only digital approximations of culture quickly becomes or further develops lived bodies. Slowly, this has become the center of my free time. Books, bookshelves, note-taking, balanced by the demands of work.
Tugging me in two directions just as I experience myself grounded in multiple worlds. I mention this because a certain concept comes to mind that helps me appreciate the situation as social media manager and aspiring academic Yeah, there are some people who would do that.
Medieval magisterial mashed up with prosthetic, entheodelic space-suit navigation. Hanegraaf rightly points out that this assumes we have a normal, static, waking consciousness. God do I know. McKenna improvised his knowledge with an imaginatively-infused explosion of connections that need no visual component to be visionary.
Many other scholars in the consciousness scene come to mind, not the least of some writers here on Reality Sandwich Michael Garfield has a way with his words, Mitch is yet another! William Irwin Thompson comes to mind.
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A new style of thinking, akin to Mind-Jazz, is needed to ride the flood of information, perspectives, languages, and systemic and overlapping crisis facing us today. He calls it Complex-Dynamic thinking I dropped that term earlier. So what to make of all this? Digital gnosis. This works show the festivities at the French court of Valois between and , but they were produced in Brussels ca. Warburg, Panel Sketch No.
The art historian focused in his talk especially on the political background of those presented events and the epoch of its manufacture. Three pieces called Bayonne-Tapestries from the same series were mainly discussed. Warburg recognized here the context of the French Wars of Religion in that epoch. Instead Philip sent his wife Elisabeth and delegated the Duke of Alba.
As a return for the alliance, the Catholic King of Spain demanded the eviction of the Huguenots and the application of the enforcement of the decisions of the Council of Trent. Warburg notes in his talk:.
A Symphony in Thread: The Tapestry of Anna Torma « Collage Your World
Allerdings war in den Zeiten, die die Teppiche im Bilde widerspiegeln, auf Seiten der gewandten Florentinerin die Hoffnung noch nicht geschwunden, ihrem Lande eine Wiederholung der blutigen Religionskriege zu ersparen. Warburg conceived the propagandist statement mainly in those well-proportioned portraits of the Valois family arranged in the front scenes, which had not been part of the design by Antoine Caron for the series, but added later.
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Warburg discussed that content in the context of Valois-Tapestries. The topic was once again the Valois-Series, but Warburg emphasized the political background rather less than the aesthetic values of such art works, namely tapestries in festivals as image vehicles, which due to their special mobile characteristics obviously supported and influenced the afterlife of ancient elements of expression.
Individual reproductions of tapestries can also be found in other picture series for talks or exhibitions.