Download PDF Five Pieces, Op. 102, III. (Piano Score)

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Prokofiev - Waltz (from Cinderella) op. 102 no. 1

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Schumann Album pour la jeunesse - 5. Schumann Album pour la jeunesse - 6. Schumann Album pour la jeunesse - 7. Schumann Album pour la jeunesse - 8. Schumann Album pour la jeunesse - 9. Maxim premiered the work at his graduation from the Moscow Conservatory. The work is cast in a typical three-movement concerto form and orchestrated for a relatively small orchestra.

Happily, critics do not program concerts. The elegant, almost puckish first movement begins with just the winds.

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The piano enters lightly and unassumingly, giving the beginning of the concerto an air of chamber music. The scoring is lean and rather athletic, allowing the melodic lines often containing very surprising twists, reminiscent of Prokofiev to take precedence. The piano part contains much of the melodic material, often doubled at the octave in both hands. This is certainly not a heavy-handed, thickly Romantic texture.

The central movement is a lyrical slow movement that relies heavily on the string section. The piano is given center stage, often unaccompanied or aided with only a pedal note. This bittersweet music, which moves from minor to major and back again, is a perfect contrast to the happily churning outer movements, and it gives the work a beautiful dramatic center. There is no pause between the second and third movements; the piano ushers the piece into the dance-like finale abruptly and surprisingly.