In this instance, the author's best effort was not good enough. Feb 07, abdiwahab Ahmed rated it really liked it. It is really good book for young writers in order be editors their mistakes and also stay from procrastination on writing. Jun 14, Susan rated it really liked it Shelves: The Chicago Manual of Style Lite.
Element #2: Point-of-view & Tense
Best thing is the quizzes. I read too many books on writing and don't write enough.
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- Our Undemocratic Constitution: Where the Constitution Goes Wrong (And How We the People Can Correct It).
- Reader Interactions.
The info here is good, though some punctuation and grammar stuff I haven't heard before and rather surprised me. But most of the info is available from other sources as well. It's nice that this was offered as a free book somewhere online.
Writing Voice: 4 Tips for Tailoring Your Distinctive Voice
That's where I got it. And good info at that price is nothing to complain about. Oct 12, Mark Carter rated it did not like it. I read this on Kindle for PC and it had spacing and formatting errors. Spacing before and after section headings was erratic. Paragraphs had no indentation or extra spacing, so that the entire text just appeared to be left justified. This is the sort of text I've come to expect from Smashwords. Nobody is going to take editing advice from a book full of errors.
Some helpful tips, but nothing new to me. Plus it had a couple of errors: incorrect advise on apostrophes the Macdonald's home and incorrectly recommends using a comma after every conjunction. The section on commas was confusing and sometimes incorrect. I didn't read all of it. I was interested in the fiction writing, but I felt like there was a lot of errors There is great advice to read on writers block though. Robert Brumm rated it really liked it Mar 12, Laura rated it it was ok Jul 29, Anna Wadlow rated it it was ok Apr 25, Iris Blobel rated it it was amazing Feb 11, Alcieta rated it liked it Nov 16, Lincoln rated it liked it May 28, John Cottee rated it it was amazing Aug 30, John Manley rated it liked it Dec 17, Hallam rated it liked it May 16, Chrystal Mahan rated it it was amazing Nov 04, Sara Ellwood rated it it was amazing Jun 27, Victoria rated it really liked it Feb 23, James Elwood rated it liked it Jan 14, Crissy Voyles rated it liked it Oct 04, Linda Nelson rated it liked it Jul 05, Joana Stoyanova rated it really liked it Feb 26, Nathalie Leblanc rated it it was amazing Mar 17, Al Macy rated it really liked it Aug 02, Tuanna Kelly Carpo rated it it was amazing Jan 11, Heather rated it liked it Dec 29, Kianna Alexander rated it really liked it Jan 11, Shawn rated it liked it Sep 16, There are no discussion topics on this book yet.
About Sigrid Macdonald. Sigrid Macdonald. She has been a manuscript editor and freelance writer for a number of years. Be Your Own Editor, a guide for writers and students of all ages and stages, followed in Macdonald is a social activist with a special interest in the seemingly disparate issues of women's rights and wrongful convictions.
Ten rules for writing fiction | Books | The Guardian
Books by Sigrid Macdonald. No trivia or quizzes yet.
- 1. What writing is and does..
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Welcome back. Their purpose lies in getting the story in your head down on paper, so you can later revise and refine your story to high shine. Bearing in mind the following five elements will help you craft a more cohesive narrative that will require less overhaul later in your writing process:. Most stories are told through the lens of a narrator or point-of-view character.
To avoid an incredibly frustrating edit, the first draft is the place to decide which point-of-view and tense are right for your book. Will you write in first-, second-, or third-person? In past or present tense?
2. The qualities of a writer.
Will you switch point-of-view or tense throughout your book? Atmosphere is the emotional landscape created by external sources in a scene, such as the setting, action, dialogue, or context in which the scene takes place. A reunion scene between characters, for example, may have a joyful atmosphere. For example, readers may feel sorrow as the point-of-view character reminisces on the loss of a friend during the reunion scene described above. Or, do they actually play a role in the greater context of your story? But if you want to save yourself from endless trimming during revisions, take care to avoid writing as much filler as you can.
Revising is the process of improving the content of a story. Still, there remain plenty of ways to improve your prose as you revise your story. Exposition is any information that gives context to a story: character backstory, character relationships, information about the setting or history of the world, and so on. Does it blend seamlessly into your narrative or have you plopped it down in overwhelming info dumps? The most immersive descriptions are written through the lens of a point-of-view character. Consider your own descriptions as you revise.
Does your prose reveal what your point-of-view character would truly see, taste, hear, touch, and smell? Click here for more guidance on writing immersive descriptions. Have you given readers enough information to visualize what your characters are doing?
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- Be Your Own Editor: A Writer's Guide to Perfect Prose.
Do you overuse any body language ticks, such as smirking or wringing hands? Have you included too many action cues, thus disrupting the pace of your scene? What purpose does each line serve in the narrative? Does it reveal important context information or characterization?
Does it move the plot forward? Consider whether your dialogue rings true to your characters as well. Inexperienced writers also tend to treat communication as a solely verbal act, leading to dialogue with little subtlety or realism. Finally, consider your narrator or point-of-view character once again. Does their inner dialogue ring true to their voice? Have you crafted prose that reflects their perspective as your story unfolds? How have you given them an emotional stake in the story that helps readers connect to their inner narrative?
Ready to dive in? Here are the major elements to consider when editing your manuscript:. Otherwise known as word choice, diction plays a powerful role in defining effective prose. When editing, be mindful of your word choice. Also known as sentence structure, syntax plays an equally powerful role in defining effective prose. Play around with dependent and independent clauses, fragments, and single-word sentences. By varying your sentence structure, your writing will take on an ebb and flow, making for a more readable narrative.