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Hoping to add some spice to her life, Sophia takes up with Peregrine, a dismal, ageing critic, but comes to regret her marriage and her affair alike.


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However, virtue is more than its own reward, for repentance brings an abrupt end to the cycle of unsold pictures, unpaid bills and unwashed dishes. Barbara Comyns' classic novel blends comedy and tragedy in an unforgettable, bewitching tale. Pretty, unworldly Sophia is twenty-one years old and hastily married to a young painter called Charles. Hoping to add some spice to her life, Sophia takes up with Peregrine, a dismal, ageing critic, and comes to regret her marriage - and her affair. But in this case virtue is more than its own reward, for repentance brings an abrupt end to the cycle of unsold pictures, unpaid bills and unwashed dishes.

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Some of these items are dispatched sooner than the others. Show details. Sent from and sold by Amazon. Customers who viewed this item also viewed. Page 1 of 1 Start over Page 1 of 1. Barbara Comyns. The House of Dolls.

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Rosamond Lehmann. See all free Kindle reading apps. Don't have a Kindle? From the Back Cover 'I defy anyone to read the opening pages and not to be drawn in, as I was. Quite simply, Comyns writes like no one else' Maggie O'Farrell Pretty, unworldly Sophia is twenty-one and hastily married to a young painter called Charles. Customers who bought this item also bought. Crewe Train Virago Modern Classics.

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Write a customer review. Customer images. See all customer images. Read reviews that mention barbara comyns young woman spoons came happy ending came from woolworths bohemian life easy to read controlled your mind mind and said said babies highly recommended babies hard likely come hard they most likely husband charles comyns writes end this book sophia is young recommend this book read this book. Showing of 60 reviews. Top Reviews Most recent Top Reviews. There was a problem filtering reviews right now.

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The narrator of Our Spoons , Sophia Fairclough, is taken by surprise when she becomes pregnant almost immediately after her wedding. How I dislike the idea of being a Daddy and pushing a pram! His painting rarely brings in any money so Sophia supports them by working at a commercial studio until she is fired for being pregnant. That is how artists should be, but I was only a commercial artist, so I went on worrying. In any case, there was all the work of the flat, and shopping and cooking to do when I returned home in the evening. Even contemporary novels, unless they are specifically about motherhood, birth babies in a sentence or two.

Instead, she is treated brutally at the public hospital where a thoughtful friend of a friend has managed to get her admitted as a charity case. The fate that awaits her there is horrifying in part because its horror is so commonplace; millions of women shared it, and worse, still do. Even today birth is pathologized and shrouded in mystery in most of the developed world. Comyns, with her knack for defamiliarization that reveals the strangeness of the most familiar, was a perfect observer of the absurdity of the situation in which her narrator—and in which she—found herself.

People would not dream of doing such a thing to an animal. I think the ideal way to have a baby would be in a dark, quiet room, all alone and not hurried. With these frank and detailed chapters, Comyns elevates what might have been a commonplace melodrama about a girl led astray into much more unusual sort of novel—especially for its time.